Monday, August 1, 2022

 

Blue Hearts

(published in Scars Publications, 2012, part of the Cat People Chapbook)

Whenever Pixie-Bob and Kat get into an argument, he will tear his pillow with a Shonen knife. He will threaten to love girls who work in bomb factories. Or he will sleep under the house with the goat-boys, made homeless under the city’s new urban renewal program. They are dreamless
and have no sense of mute beat. If things get too heated, Pixie-Bob will get lost in L-shaped rooms under streets and gear-grind, doing the Trip Hop before hookers having ticks and herniated discs. When he returns home, he will be in a trance. For days, all doors will be closed. But Kat being a girl-rapper trained in classical, will stand in the rain. This is not to say that every time Kat and Pixie-Bob argue, there will be rain. The rain is not logical, and contrary to popular opinion, has no musical sense. The rain does not say Take off your hi-hat and dance with me. The rain may not be there at all. It’s just that in the absence of the other, Kat loves to stand in the middle of a street, oblivious to sky peddlers and pimps on parole. She will throw her head back and open her mouth. She’ll convince herself that it’s pouring — it’s there. She loves to taste the meltdown of reflexive clouds, their nuclear sadness.

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