Monday, August 1, 2022

 


True Confessions, Episode 6: A Dogwalker Gets Dogged (published in Subtle Tea, 2011)

 

TODAY, I actually believed in myself
for ten minutes. Told the bitch off,
her, standing like Trump ready to fire me
when I already fired myself. Shit. You think
she grew talons for sport or maybe
stocked up on mace for the Second Coming.
But I told her that from now on, she
can walk her own dogs and while she's
at it, take some laxative to keep her
occupied. Then I walked away. Didn't
take a cab. I took the wrong side streets
and it was alright. In my apartment off Tenth
Ave. I adjusted the thermostat, did about 33
jumping jacks to warm up, turned on some
black metal, but I wasn't feeling a righteous
shade of self-murderous. Then I snuggled into my
bed with the sinking frame. With eyes closed,
I was turned again to still life without
dreams, just the core of an apple the world
had already chewed and swallowed. But for
a whole ten minutes, I felt really good
about myself. Tired as hell, splayed against
the bed, I leashed myself to the mistress
of night. I knew the rules about no barking
after 12, in this dark open mouth
of a studio, the place where I always begin
and end without a job.

 

 

Blue Hearts

(published in Scars Publications, 2012, part of the Cat People Chapbook)

Whenever Pixie-Bob and Kat get into an argument, he will tear his pillow with a Shonen knife. He will threaten to love girls who work in bomb factories. Or he will sleep under the house with the goat-boys, made homeless under the city’s new urban renewal program. They are dreamless
and have no sense of mute beat. If things get too heated, Pixie-Bob will get lost in L-shaped rooms under streets and gear-grind, doing the Trip Hop before hookers having ticks and herniated discs. When he returns home, he will be in a trance. For days, all doors will be closed. But Kat being a girl-rapper trained in classical, will stand in the rain. This is not to say that every time Kat and Pixie-Bob argue, there will be rain. The rain is not logical, and contrary to popular opinion, has no musical sense. The rain does not say Take off your hi-hat and dance with me. The rain may not be there at all. It’s just that in the absence of the other, Kat loves to stand in the middle of a street, oblivious to sky peddlers and pimps on parole. She will throw her head back and open her mouth. She’ll convince herself that it’s pouring — it’s there. She loves to taste the meltdown of reflexive clouds, their nuclear sadness.

 

Marry Me

(Published in DiddleDog, 2011. From the Cat People chapbook)

My mother told me never to trust girls who speak from the side of their mouths. But Zin, with her rainbow bracelets and flat vans, can’t speak any other way. A creature of ADD and zip-up leather, studded belt and the next No Wave, has mistaken me for the last fuzz boy guitarist who dumped her over a groupie into Goth and 50’s horror films that are HYSTERICAL. So it’s Saturday afternoon in a life of endless afternoons, waiting for balloons to fall, or poppies to emit milky juice through terminal pores. I mean I’m bored. So Zin calls and says what’s up and yadda yadda yadda and I’m definitely leaving for school at the end of the summer and yadda yadda yadda and why is love such an ugly brute and yadda yadda yadda and I’m like Why not? So we’re standing in the throng of a Central Park crowd, sweating in our skinny jeans. It’s a free concert — Blackie Ghoul and the Undertones — who are from the Michigan area and formed as a high school band back in ’64 and who have since recorded three singles but can’t get picked up by a major label. And Zin is looking too cute with her chubby thighs and Ultra-glow pink lip gloss and I’m thinking of flowers falling but are they free? An announcer enters the stage and lists upcoming acts for the summer. Zin is whispering some crazy shit in my ear, like how she would marry a boy who was her best friend or some lines from her poetry like how the sky raped her but she lusted for the sun, or how the mushroom is not a symbol of the penis, it’s just a vegetable that grows in her poems and I say, Zin, like you’re tickling my ear. Sorry. Sorry. Sorry. Blackie comes on stage dressed as some glitter cowboy with shades. I’m starting to think what the Fall will be like with Zin gone. It was always a thing of Almost Love or there’s somebody else just a notch above you. Zin is bobbing her head to Blackie’s tune about devil women. Zin is holding my hand. Zin tongues my ear and smiles as if to say Fuck it, right? Blackie asks for a volunteer for his next song. But where is Zin? She’s joining a commune. She becomes a shadow underneath your everything. I’m having flashbacks of Zin on a tricycle. We even shared raspberry popsicles at the age of eight. Was it so wrong? I’m raking through the crowd. I’m interrogating faces. Where did you hide Zin? My mother’s voice answers: She will not be the girl you will marry, Honey. She’s been around. No, mom, she’s just a showy girl with too much black eyeliner. Inside she’s crumpled petals. I was always unripe. I push my way to the stage. There is Zin belting out a Blackie tune. There is Zin on stage, outrageous and flirting with the crowd, making them beg for her smile. There is Zin looking down at me. I love you, Raspberry, she sings. Marry me, I shout back. She throws her brassiere into the crowd and I jump into space like the guitar solo I never could play.

 

Horse with No Name

(published in Metazen, 2014, part of a Edie Sedgwick series)

So Andy was throwing this like monstrous dig at The Factory to celebrate the opening of his new film Beauty 2, which starred me & these two other guys & I was buzzed on something this freak with outrageously thick black glasses & in tight gabardines & untied Hush puppies, called Horsefly Juice, whatever the fuck that is & the ludes were still keeping my gravity on & Andy was talking to this cute photographer named Mitch & Andy kept ignoring me because he said he was sick of hearing me complain of when I was gonna get paid, he said Don’t worry, you’ll get your money, bunny, but I keep finding dead ants in my cereal boxes & in walks in Andy’s new superstar, Miss Ovid Blue, with her fucking hair

dyed what other color? Blue. & she’s greeting everyone like she’s the new fucking Queen of England with her size Z tits, the sequined gown clinging to her overstuffed figure like a mold she’ll have to live with, I mean the bitch can’t act for shit, like Antonioni or Wyler are really gonna cast her in some Tennessee Williams four-way street collision with lives instead of cars. & the bitch can talk up a storm not like she’s selling herself but injecting herself & she’s lousy street heroin. Somewhere in the calamity I loose a

fucking shoe & have to crawl under ten pair of legs to find it. Like I’m a fucking Cinderella but freaked. So then this guy shows up, one of Warhol’s studs with big dippers but their talk is all salty anti-climax. The guy’s name is Max or Sterling. I can’t remember. But he comes up to me after he’s done cock-teasing almost every male variety in the room & says Would you like to ride my horse? I’m like Are you shitting me or something? I didn’t know you could get turned on by a girl. So I keep turning away & he’s like No, you don’t understand. I have a real horse parked outside. It’s a nice night. Let’s take a ride. Anyway, it’s foggy in here. So I tell Stud have a nice day, but next time,

get some better acid that makes you hallucinate raccoons or butterflies in the middle of the night & he takes me to the window, five stories up, and sure enough, if girls aren’t all marshmallow & melon whore, there’s a horse! & he’s not taking No for an answer. So he drags me downstairs & after several times sliding off the gorgeous brown stallion, or whatever it was, I’m sitting with hands clasped around Max the stud not the horse & we’re fucking touring upper Manhattan at 3:30 in the morning! & maybe to show off, Stud actually gets the horse to trot down an empty sidewalk. & what people are left on this strange planet called Manhattan stare at us like we’re from fucking Mars.

Actually, I think they’re jealous. So I yell out, You want a ride? You want a ride, you marshmallow whores who will never get famous? When we get back to The Factory, so many people are either gone or passed out, some naked or making strange motions with their curved fingers in the air, like they wanna be cats or panthers or they’ve entered a new level of existence, maybe some bullshit karma stuff with levitating gods with hidden mushrooms & I go up to Andy & I say, We just rode on a horse. & Andy is like Please don’t interrupt me now. I’m having this really important conversation that will ultimately lead to the best blow job of my life & don’t you know it’s rude for little girls to be rude? & I’m saying No, Andy, it’s the god-honest truth. He waves me away. But it was, I swear, the best ride of my life, it was such a beautiful and elegant horse.

 

Inside Moves

(Pubbed in Corium 2013/part of the Zin Chapbook)

You’re in a cold city doing a revue of Bob Fosse’s Dancin’. The girls backstage don’t believe your real name is Zin & they criticize your jazz drag as too slow, your posture too low. They joke that in this town they probably don’t even have karoke or Wi-Fi. One girl named Penny, the one the others call “Buttonhead,” tries to be your friend. The most experienced dancer, a woman with a Slavic accent & shuttered eyes, warns you that “Button’s head” is full of “too much air” since a badly executed stag leap landed her in a hospital. Offstage, Buttonhead complains that sometimes her hands feel numb or that she keeps losing her gloves. She offers you carrots & reads out loud on the theater’s back stairs, dimly lit, old love letters with words she stumbles over. Like Winetka or Graciela. The letters, you conclude, were addressed to an abusive choreographer. You tell her that carrots give you cramps & love gives you nosebleeds, that you are strictly free-form & detached. You’re resolved not to be anyone’s dying fawn. One afternoon, while leaning your torso into your best layout, she strikes you down. The next day, you corner her on an empty dance floor. She turns. Who is more scared? Who is more confused? Who never wishes to get caught & play victim? Whose hands & toes were never bruised & bandaged? Oh, the two of you, such lean beautiful misfits. So now you both stare each other down, then do a chasse. Hers is clumsy & slow. Yours is graceful & fast. Her left leg buckles, slippage of the foot, a mind of its own. She, then you, always then you, perform a drop & hold, hold each other for dear life, a life not choreographed, hold, hold tighter— bleed your best inner moves into hers.


 

House of Three Corners (published by Yavanika Press, 2020)

 Early Morning Warning

 “Wake up!” my mother says, rushing into my room. “Your aunt has been taken to the hospital. She has the hives! She has trouble breathing!” My grandmother can't find her walker. My uncle, Auntie's brother, can't break from sleep. His snoring causes the birds to twitch. Running to the car, I sense my shoes are mismatched—one with & the other without holes.

 hospital room

 I close my eyes until everyone can see

 that I'm not here


The Wonder Years

 I was born in a yellow house, later painted pale green. On most mornings, the light came in from unnamed stars. I didn't need much water. I dove diehard for Captain Kangaroo & had too much time for crayons & Silly Putty. My little, insignificant life waxed & waned. Time was stranded on the moon. Oh, & people. There were three women & one man. I won't name names. It won't come to anything. & me. My thoughts traveled through bone via absent-minded bubbles. Then everything remained forgotten. On most days, I could play jump rope & walk on air. 

like Tom Sawyer, 

I play hooky everywhere 


 School Jail 

The teacher tries to bend us into right angles.

 I prefer eating alone. 


Mermaid Conspiracy

 Under the boardwalk, a fast girl in from the waves tells you that they shot President Kennedy. She says she heard it underwater. You ask her if an octopus can have that good of an aim. She smirks & undoes your freckled skin, leaves a trail of wet footprints. To this day, still an unsolved crime. 

in saltwater 

you stop mouth-breathing

 & curl inside a fish 


 Dog Years (Ages 10-14)

 I'm put outside in the cold. I read my future from bare trees. In ten to twenty years, I'll have a girlfriend with a face resembling the nun in third period. A young dark island with hints of shallow blue streams. I'll tell this girl that I can't touch first. The guilt, you know, from original sin. I'll tell her that now she must confess her sins. I‟ll listen & blush.

 learning the sound of hard g Sunday School :: obli(ga!)tory 



Our Mock Task Force on the Environment 

We become a kid-bureaucracy of politically correct fish wishing to be birds. 


World Weary 

Sister Wilhelmina keeps flying pigs in the belfry, Steve Lawrence sings “Go Away Little Girl.” I cast a breathless shadow on hot pavements. On windy days, I lose my mother. 

poly-perverse universe :: God save the Queen! 


Psalm 999

 On Fridays, we smell like fish. 'Cuz on Fridays, that's all we eat. After dinner, we take a nap & wake up more dead. Grandma asks if we would like any leftovers. 

frozen lakes reverse engineer this silence w/ skeleton parts



  Inspiration

 Sister Adrienne's hiccups are divinely savant.


The Ephemeral Nun

 Sister Olin says, “Girls are too soft for this world/boys are too hard of hearing.”


  Practicing w/out a License 

I play hospital in fourth grade with a girl who doesn't believe in stitches.

 open wound

 we lip-sync the sounds of pain 


Guidance Counselor

 “Marry a girl of stout faith,” says the hung-over, rosy-cheeked priest.

 I marry a peach-colored cloud,

 low-flying & no honeymoon 


 Lessons in Telepathy 

The nun with the plug-ugly nose hangs our best handwriting exercises on the wall. She bangs the bottom of her fist on the thumb tacks. Back in our semipermeable houses, we dream of her palms bleeding in perfect little streams. We dream of each other, & in those dreams, we still can't spell properly. Not even for Jesus. 

the sky conscious of rebellious clouds :: a thought becomes a hurricane


Brain Teasers of my Fragmented Youth 

Grandma (post-stroke) thinks Anne Boleyn is a type of pumpkin. It takes me years to disprove this. Saint Iris's Elementary School is named after a nun who forged herself. From the stairwell, I hear mother tell Auntie that she once slept with a man who resembled Tyrone Power. Before that, she said it was a man resembling George Maharis. “We slept in our pajamas, never made it to first base, and for all I know, we might all have been gay.” Uncle can't chew pork without his dentures. He gives up on both. Grandma‟s last words on her favorite recliner: “The world was always too far from me.” 

She dies from Congestive Heart Failure while holding a slice of Pepperoni Pizza


Privileged & Gifted 

We make ga-ga eyes at the most beautiful girl on the school bus. She resembles Hayley Mills in early Disney flicks, untouchable as the breeze. freckled-face doll calling my name then plays dead.


That Virgin Winter 

Uncle Herman tells us how he & the fading lives of U.S. marines retreated from the Chinese Liberation Army. Twenty degrees below zero. How can the snow, that snow, I wonder, be as white as marshmallow?

 blue toes… i suspect that this winter you're overdosing on sugar


Geography Lesson

 Auntie draws the shape of Portugal on the palm of her hand, then closes it. No, I tell her, that was New Jersey. I know New Jersey like the back of my hand. 

contour drawing 

your hands die before your lips do


 Mother’s Favorite TV Sitcom 

missy sissy, we blow you a kissy. heard you overdosed on Gorilla Glue and whiskey

 fast forward: a tragi-documentary on A&E w/out close ups 


Gunsmoke

 “Shoot from the hip, Marshall. If you miss, they'll just cancel you.”


 reward for capture 

a talking horse 

with perfect teeth 


Prisoners

 Auntie asks my mother & me to move out of her house. She says I make too much noise when I sleepwalk & my rock albums are causing Uncle Herman more brain damage. I take down my posters of Geronimo, Charles Bronson, John Lennon, & James Dean from my bedroom walls. Exhausted, my mother sits on my bed & breaks down. “It's all your fault,” she says. As if I had the power. At night, tiny policemen march into my ears. They say, “Come with us.” 


 We All Live in a… 

One day the Beatles come to visit me. I ask them if they would like Earl Grey tea. “Only if you have animal crackers,” says John. George plays my toy xylophone & makes it sound like a piano. Ringo keeps time with his left foot. Paul asks if I have any old Beach Boys. His favorite is Pet Sounds. “Only Wild Honey,” I say, noting it is scratched. After they leave, my mother, recovering from laryngitis, yells from upstairs asking, “Whom are you talking to?” Her loose slippers slap the stairs in irregular beats. I tell her the Beatles. I tell her they got here by helium balloon.

a blow-up walrus

in our living room

must have gotten here

by submarine

says uncle smarty pants


My Bedroom Leaks Gravity 

At night, I hear the houses creak, lean toward the moon. 28 Lucky My mother wins the lottery. Grandma wants three slices of orange skies. Auntie wants a trip to Hollywood so she can meet the real Rock Hudson. Uncle Herman wants three months of filter-less cigarettes. It helps him forget the war. My mother slowly loses her eyesight. 

white is another name for distance 


Civil War

The attic (mother & I) declares war against the first floor (Uncle Herman & Auntie Maud). Nobody speaks for days. I sneak downstairs. Grandma bakes sourdough bread & cinnamon buns to forge a new truce. From her bedroom, Auntie recites a fairy tale in iambic pentameter. Then, Uncle Herman plays Billie Holiday & Duke Ellington. Grandma burns her finger & yells “Son of a bitch!” I splash cold water over the both of us. grass in the shade we won't outlive our parents 30 Back Story My father, a ?, married my mom, put me inside her (!) & fled to Amsterdam. Never returned. He preferred loving women for their smile. Women smiling behind windows.

 river of lights 

we spawn reflections for the fish 


Barbershop Quartet

 At the school play, we sing & soft tap before a sea of darkness. Somewhere out there is my mother, Auntie, Uncle Herman, & Grandma without her walker. What a funny thing it is to be seen, but not to see. At home, I undress, taking off my bowler hat, fake mustache, & suspenders. Sitting on the bed in my underwear, I start singing "Swanee," a song from the play. This time I don't miss a beat. My mother says, “Go to sleep.” From her bedroom, I can hear the radio. Mick Jagger singing that he “can't get no satisfaction.” 


Confirmation Day 

The bishop with a silver tooth comes to confirm us. He asks questions about Christ & who really hammered the nails into His cross. We have the answers partially memorized. After we kneel & give him our new chosen middle names, I feel a warm stream down my leg & leave a puddle of clear yellow on the marble floor. Like a small miracle, it forms the shape of a Rubinesque angel in the center aisle between pews. Outside, a nun slaps me while I'm standing on the church steps. Then, she hugs me and weeps. 

if only my legs would stretch

 I wouldn't have to run away


We’re Only Happy When We’re Unhappy

 Our family takes a space trip to a moon colony advertised as the perfect vacation hotspot. Rumor has it that it's great therapy for the dysfunctional family, the couple that can only burn each other's toast. After we arrive, Uncle Herman keeps losing his toupee due to a lighter gravity. I try playing frisbee with Auntie's Sinatra album collection, but the records never return. Mother is still having a problem with flyaway hair. Grandma keeps wetting in her space suit. She's running out of Lasix. & we all argue over who is stealing the most oxygen. 

fact or fiction: there are no lemonade stands in the Sahara


 Premature Epilogue 

Grandma dies the second time of spiders in her sleep, Uncle's mind approaches the lightness of his smoke clouds, Mother remains a still life with moving lips, & Auntie sells the house for the price of sixteen unicorns & one double-headed snake that will follow me for years.

 attention deficit disorder— years like birds,

 no one knows where they went


  The True Epilogue 

“Wake up!” my mother yells from my bedroom doorway. “It's almost September!” But will I wake up to another wake up? “Wake up!” my mother yells from my bedroom doorway. “It's almost September."


 Published in Otoliths, 2018


Rommel in New York